The Golden Ratio, Golden Proportions (film), and Intentions for Prayerful Cleansing

Only a few days after recording the film and saying that prayer did I realize that, according to its very definition, the golden ratio itself is merely another deception.

Various figures then appeared wearing wire frames upon their heads. The frames were rectangular, with side proportions of approximately 1 : 1.34. It did not look either wise or beautiful.

The frames discussed in this article are carried by souls in many different places and appear very similar. These frames resemble the red one shown in illustration no. 1, except that they are positioned horizontally rather than vertically. The image showing many frames placed upon faces was taken from: Link.

Technical Notes Concerning the Idea and the Construction of Intentions

Article: “800 Intentions for Cleansing” – Link

“Building Extended Intentions and Prayers. A Skype Conversation About the Technique.” – Link 

“One-Sentence Structure for Intentions.” – Link

When constructing intentions, placing the word “not” before a given expression means that it is worthwhile mentioning both the pattern itself and its opposite.

For example:

— being poor, being ill

may also be expressed together with its opposite:

— being poor, being ill — not being poor, not being ill.

This allows the pattern to be activated in its broadest possible range, including its opposite aspect.

It is also worth remembering that souls often insist they do not possess the opposite pattern.

For example:

A woman’s soul denies ever having been a bad mother.

Adding the expression:

“not being a bad mother”

may allow her to recognize the actual condition in which she presently exists.

Being a bad mother — not being a bad mother.

“Certainly not! Never in my life! Those are not my patterns. What I do is my own private affair.”

— Such statements are very frequently spoken or silently believed by the soul.

Intentions

1.
Our own—and through us, other people’s—belief in, promotion of, coding, manifestation, experiencing and applying patterns of perfection, including the Golden Ratio, known since antiquity and regarded as possessing exceptional aesthetic qualities, also referred to as the Golden Mean, Golden Section, Golden Proportion, Divine Proportion (sectio divina), Golden Cut, Golden Number, the Mean of Phidias, and by many other names.

2.
Our own—and through us, other people’s—belief, promotion and coding that beauty, harmony, elevated composition and aesthetic perfection can be fully described mathematically or geometrically, and that the Golden Ratio directly defines beauty, order and harmony.

3.
Our own—and through us, other people’s—belief, promotion, manifestation, experience and use of the Golden Number, golden squares, golden rectangles, golden spirals, golden rhombuses, regular pentagons, Pythagorean triples, Kepler triangles, perfect numbers, polyhedra, numerical sequences, pentagrams, sacred geometry, pyramids, merkabas, and every other golden—or differently colored—geometric figure, whether two-dimensional, three-dimensional or multidimensional.

4.
Our own belief in, promotion and application of the Golden Ratio as the principle governing plant growth, spiral phyllotaxis, leaf arrangement, and the Fibonacci numbers found in flowers and numerous other natural structures.

5.
Our own—and through us, other people’s—promotion of the belief that plants developing according to the Golden Ratio make maximum use of available space, sunlight, energy and water.

6.
Our own—and through us, other people’s—promotion of the belief that the Golden Spiral appears in shells, dolphins, ram’s horns and many other living forms.

7.
Our own—and through us, other people’s—promotion of the belief that hurricanes, spiral galaxies and even the proportions of the human body are governed by the Golden Ratio, including examples such as the relationship between body height and the distance from the feet to the navel, the proportions of the arms, fingers, head, knees and many others.

8.
Our own—and through us, other people’s—promotion of the belief that the Golden Ratio is present throughout the structure of the human body, including the hands, fingers, teeth, facial proportions, mouth, nose and many other anatomical relationships.

9.
Our own—and through us, other people’s—promotion of the belief that even DNA follows the Golden Ratio, since the DNA double helix measures thirty-four units in length by twenty-one units in width.

10.
Our own—and through us, other people’s—promotion of the belief that music is based upon the Golden Ratio, including Mozart’s sonatas, Stradivarius instruments and mathematical laws of harmony.

11.
Our own—and through us, other people’s—promotion of the belief that structures such as the Parthenon, the Great Pyramid of Giza, the United States Capitol, the Louvre entrance, the Great Mosque of Kairouan, cathedrals and countless other buildings were intentionally designed according to the Golden Ratio.

12.
Our own—and through us, other people’s—promotion of creating works of art, designs and projects using golden rectangles and related geometric principles.

13.
Our own—and through us, other people’s—promotion of the belief that animal skeletons, blood vessels, nerves, crystal geometry and countless natural forms demonstrate a universal law governing all cosmic, organic, inorganic, sonic and luminous structures, supposedly reaching its highest expression in the human form.

14.
Our own—and through us, other people’s—promotion of claims that psychometric studies, neurobiology and atomic-scale magnetic resonance research prove the universal presence of the Golden Ratio throughout nature and the universe.

15.
Our own—and through us, other people’s—promotion of the belief that Solomon’s Temple, Masonic lodges and the symbolic Temple built by Hiram Abiff derive their significance from the Golden Ratio.

16.
Our own—and through us, other people’s—promotion of the belief that artistic beauty, sculpture, painting, architecture and every aesthetically pleasing object must conform to the Golden Ratio and that beauty itself can be mathematically defined.

17.
Our own—and through us, other people’s—belief that if our body, appearance, ideas, surroundings or facial features conform to the Golden Ratio or another accepted ideal of beauty, then we shall automatically become happy, healthy, wealthy and fulfilled.

18.
Our own—and through us, other people’s—promotion and marketing of Golden Ratio measuring frames and similar devices through arguments such as:

“Dear Jadwiga, if you wish to be beautiful, you should own Golden Ratio frames like those beautiful women and fertility goddesses. Look—they each have several of them.”

19.
Our own—and through us, other people’s—search for the divine blueprint of perfection through probability, mathematics, geometry, logic and proportional systems, believing that God’s creative principles are fully contained within the Golden Ratio and its equivalents.

20.
Our own—and through us, other people’s—becoming invisible to our husband or wife beneath hundreds of symbolic frames defining Golden Ratios and Golden Proportions.

21.
Our own—and through us, other people’s—promotion of the belief that physical attractiveness depends upon fitting one’s body into predetermined geometric proportions, curves, measurements and canonical frames.

22.
Our own—and through us, other people’s—promotion of the belief that happiness, perfection and fulfillment require conforming as closely as possible to predetermined standards of beauty established by God—or by anyone else.

23.
Our own—and through us, other people’s—earning profits, royalties and financial gain through inventing, promoting and commercializing concepts such as the Golden Ratio, standards of beauty and ideal proportions.

24.
Our own—and through us, other people’s—selling, distributing, purchasing and promoting guidelines, systems, patents and concepts concerning standards of beauty, Golden Ratios, Divine Proportions and similar ideas.

25.
Our own—and through us, other people’s—creating and establishing various canons, systems of rules, models and methods governing human appearance, architecture, artistic forms and many other manifestations throughout different dimensions of existence.

26.
Our own—and through us, other people’s—creating, promoting and experiencing various canons of beauty, aesthetic standards and proportional systems, including those carrying religious, secular, cultural, political, spiritual, moral or physical significance.

Prepared by Małgorzata Krata with the participation of Sławomir Majda, based upon information from the article “The Golden Ratio.”

Comment

Sławomir Majda – 7 July 2019

The wire frames defining various standards appeared, among other places, upon several people’s feet and heads. They also appeared over women’s breasts.

It seems that our human souls continually struggle over breasts.

At one time they wish them to be large in order to satisfy the canon of Pachamama.

In another incarnation, small breasts like those of Vietnamese women become preferable.

Later still, firm size-five breasts become the desired ideal.

And every one of these ideals must fit some predetermined canonical frame.

The canons themselves are not identical for everyone.

Here, for example, the fashion ideals of one LGBT community are presented. Link.

Opublikowano: 28/06/2026
Autor: Sławomir Majda
Kateogrie: God

Comments